Archive for the ‘ Exhibitions ’ Category

TOM TURNER Has Solo Exhibition at Center for Contemporary Art, Abilene

Installation View

Tom Turner, a 2013 graduate of the MFA program in Photography, has a solo exhibition at the Center for Contemporary Art in Abilene through September 27th.  The exhibition consists of 38 photographic prints and six videos. Titled, Sublime Gestures, the artwork in the exhibition investigates the relationship between man and the environment, examining the traces and marks that humans leave on their environments and the marks that the environment leaves upon man-made structures and intentions.

Tom has been adjunct insturctor at the Art Institute of San Antonio and is a Co-director and resident artist at Clamp Light Artist Studios and Gallery in San Antonio along with other School of Art alumni, Carol Cunningham, Sara Roberts, Jessica Sailors, and Chris Adams.

In November he will have work included in Being Here and There at the Lancaster Museum of Art in Lancaster, CA.

turner

 

KATY HEINLEIN in 2-Person Show at Art Palace

Exhibit installation view: Left: "Fob" polyester, wood, aluminum. 36" x 36" x 45". Right: "Habit" polyester, silk, wood. 42" x 35" x 46"

Exhibit installation view: Left: “Fob” polyester, wood, aluminum. 36″ x 36″ x 45″.
Right: “Habit” polyester, silk, wood. 42″ x 35″ x 46″

Katy Heinlein, 1999 MFA alumna of the sculpture program, will be in a two-person exhibition with painter Alika Herreshoff  at Art Palace in Houston opening this Friday, September 5th and continuing through October 18th.

Heinlein has received several awards, participated in residency programs, and been in several notable group and solo exhibitions. In the year 2000, She was selected to participate in an international juried competition, Women in the Visual Arts, which was held at the Erector Square Gallery in New Haven Connecticut and juried by Guggenheim Deputy Director Lisa Dennison.  Heinlein was one of three to receive a juror’s award. In 2001, She had a solo exhibition at Lawndale Art Center in the main gallery. That year, she was also chosen to participate in New American Talent at the Texas Fine Arts Association in Austin, Texas.

In 2005, Heinlein was awarded the Cultural Arts Council of Houston/Harris County Individual Artist Fellowship Grant. In that same year, she traveled to Montauk, NY to be an artist in residence at the Albee Foundation, and had a solo exhibition of her work at the Commerce Street Artists Warehouse in Houston, Texas. She was an artist in residence in 2006 at DiverseWorks Art Space in Houston, Texas. In 2007, Heinlein won the $10,000 William and Dorothy Yeck National Young Sculptors Purchase Award, and participated in a group exhibition at Miami University in conjunction with the award. Heinlein was recently awarded an Artadia grant in the spring of 2008.

For more information about the exhibition at Art Palace, click here.

 

SARAH JAMISON Curator of “New Landscapes” To Moderate Artist Conversation

SARAH JAMISON, co-curator with Christian Arrecis of New Landscapes currently on view in Chicago at Gallery 19 through August 31st, will moderate a community conversation with two of the exhibition’s three artists, Allison Grant and Anastasia Samoylova, on August 20th at LATITUDE – for details about this event visit their Facebook page (here).

Sarah Jamison, a 2011 graduate of the MFA program in photography, joined four Chicago artist-colleagues in  April 2013 to form The Exhibition ProjectThe Exhibition Project grew out of an exhibition committee at the Chicago Photography Center. The original members built upon the mission of the committee to establish an independent curatorial collective with the purpose of challenging and pushing the boundaries of the photographic medium.

Artist: Anastasia Samoylova

Artist: Anastasia Samoylova

The conversation for New Landscapes will focus on the interdependent role of photography and technology through the evolution of landscape photography into contemporary concepts, creating dynamic ways in which we perceive and understand the landscape around us.

New Landscapes, which also includes work by Mark Dorf, explores contemporary experience, the role of technology, and how availability of resources have changed our sense of place within the world and how we understand it. Photography as a tool of navigation and interpretation is nothing new, however; technological inroads have inexorably altered how we consume the landscape and images of it.

Artist Allison Grant

Artist: Allison Grant

Their first Project,  Expanding the Frame, questioned the role of photography as a device of straight documentation, or even manipulation, by reevaluating the nature of the photograph as a still image and object on the wall. New Landscapes is the group’s second project/exhibition.

CHRIS RAMSAY Solo Exhibit at OSU Museum of Art Surveys 20 Years of Art

Chris at work

Chris Ramsay will have a 20 year survey of his artwork presented at the Oklahoma State University Museum of Art in Stillwater from September 15, 2014 through January 17, 2015.  Titled Chris Ramsay: Meditations in Stillwater, the exhibition presents more than thirty works by Ramsay who is a professor of art at OSU.

Ramsay received an MFA in jewelry design and metalsmithing from Texas Tech in 1986. He has been on the art faculty at OSU since 1990 and served as the Art Department Head between 2008 and 2012.

"Fossils: Patterns of Organic Energy" (detail, 1994) wall piece, etched copper, wood, patinas, found objects, Ralston- Oklahoma brachiopods. 26 in. x 10 in.

“Fossils: Patterns of Organic Energy” (detail, 1994) wall piece, etched copper, wood, patinas, found objects, Ralston- Oklahoma brachiopods. 26 in. x 10 in.

PEDRAM BALDARI Sculpture To Be Exhibited at Basel Art Fair, Switzerland

Pedram square imagePedram Baldari, MFA student in sculpture with a secondary in photography who began his studies at Texas Tech in 2012, will have his art work represented at this summer’s SCOPE Basel Art Fair by Janet Rady Fine Art, his London gallery, when the show opens on June 17th.

Pedram was born and raised in a middle class family at the west of Iran, Kurdistan 1981. The first eight years of his life took place during the violent crossfire between Iran and Iraq’s war. Says, Pedram, “My life has always been affected by politics and the social manifestation of it in its radical fashion. I believe art can thoroughly expose the existing past and upcoming trauma within the body of the society. For me, they are traumatological exploration of my life experiences regarding restriction, body, identity, minority, post war experience, control, post humanism, post colonialism and power.”

"Sealed the Consealed III" (2013-2014) wood and aluminium, 96.5 x 22.9 x 22.9 cm (38 x 9 x 9 inches.)

“Sealed the Consealed III” (2013-2014) wood and aluminium, 96.5 x 22.9 x 22.9 cm (38 x 9 x 9 inches.)

Pedram, who has exhibited nationally and internationally since 2006, has been exploring different mediums and forms of art from X-Ray machine photography to video, sound art, performance, mix media, video-theatre, installation and sculpture. He researches different ways and mediums to join his historical/cultural heritage to the contemporary world. Meanwhile, he retains a critical approach toward “West vs. East” or “East under the gaze of West” paradigms. “I think these paradigms act as the status quo of the Art world,” says Pedram, “in particular their socio-psycho-political apparatus. I try to maintain an existence in the fold where these dimensions meet with each other in their greatest tension, where the trauma shows itself in its naked fashion.”

KEN LITTLE – 3rd of Five Exhibitions in West Texas Triangle Opens Friday

Ken Little

Photo by Cathy Cunningham

This Friday, June 13th, the Museum of the Southwest in Midland opens the third of five exhibitions in the West Texas Triangle featuring the artwork of Ken Little, who received the honor of being named the 2014 TEXAS STATE VISUAL ARTIST – 3D in a public ceremony sponsored by the Texas Commission on the Arts in Austin last year.

KEN LITTLE, was born in Canyon, Texas, received his B.F. A. from Texas Tech University and M.F.A. from the University of Utah. He has been a professor of sculpture at UTSA since 1998. As the 2014 featured artist of the West Texas Triangle, his work is being presented in Abilene, Albany, Midland, Odessa and San Angelo between May and November this year.

The West Texas Triangle is a collaboration between five art museums in West Texas. Besides the Museum of the Southwest, the group includes the Ellen Noël Art Museum in Odessa, the Grace Museum in Abilene, the Old Jail Art Center in Albany, and the San Angelo Museum of Fine Arts.   The exhibition schedule is as follows.

shoe-bearThe Grace Museum:  May 8 – August 9
The Old Jail Art Center:  June 7 – September 7
Museum of the Southwest:  June 13 – August 24
Ellen Noel Art Museum:  TBD
San Angelo Museum of Fine Arts:  July 10 – November 7

TTU Alumni present Useful Pictures in New York

Frameshift
6/12 – 7/20
Denny Gallery
261 Broome St.
New York, NY.

In 2011, National Geographic published a study that projected an estimated 105 billion photographs would be taken annually by Americans by the year 2015. The impact of digital technology on photographic processes and the current kamikaze of image sharing are two of the driving concepts behind useful pictures, a curatorial team and “artist-run investigation”* based in Brooklyn, NY and founded by TTU School of Art alumni Zach Nader (MFA Photography, 2011) and Grant Billingsley (MFA Painting and Sculpture, 2011), working along with artist Eric Shows (MFA University of Wisconsin-Madison – 2009).

erinokeefe_muchado_lr1-1066x1600

Erin O’Keefe, Much Ado, 2014

On Thursday, June 12th, the exhibition Frameshift, curated by useful pictures, opens at New York City’s Denny Gallery. Each of the six artists featured in Frameshift complicate the photographic process and “resist the finality of arrival and perfect replication advertised by the technically produced image.”** For example, photographer Barry Stone translated the binary data of a photograph into text that he then edited and retranslated to produce a distinct image. Erin O’Keefe combines objects and architectural elements to stage a photograph that compresses a multiplicity of angles and perspective points into the two-dimensional picture-plane of the photograph.

Among the billions of photographs taken this year, Frameshift hones in on a few that reveal something to us about the nature of photography as a medium and the creative processes to which it can be subject, as well as the layers of reality in which we exist in the post-digital age.

 Frameshift will be on view June 12th – July 20th at Denny Gallery. Join the curators and artists for the exhibition’s opening on Thursday, June 12th from 6-8pm, or for a gallery talk on Saturday, June 14th at 3pm.

Chisum Justus in Dallas – Last Weekend

CHISUM JUSTUS, "Pinkerton's Meat Raft" acrylic on canvas.

CHISUM JUSTUS, “Pinkerton’s Meat Raft” acrylic on canvas.

Click HERE to read about Chisum Justus’s exhibition at Cohn Drennan Contemporary in Dallas.

Mark Collop in “Moving Pictures” at brand 10/and X art spaces, Fort Worth

"Dog Fetch" video still

“Dog Fetch” video still

Mark Collop, 2004 studio art alumnus now living and making art in New York City, is one of twelve artists included in Moving Pictures, an exhibition of contemporary film and video which will be presented simultaneously at brand 10 Art Space and their second venue, and X Art Space, both venues in Fort Worth.

The opening at both locations is on September 7th  from 1:00 – 9:00 p.m. and the with the exhibit continuing through October 26th.

Collop’s Dog Fetch video will be presented.  Among the other artists presented are notables Frances Bagley, Hillerbrand + Magsamen, and Wura-Natasha Ogunji.

The Gift of Time

Old trooper, I see your child’s red crayon pass,
bleeding deletions on the galleys you hold
under your throbbing magnifying glass,
that worn arena, where the whirling sand
and broken-hearted lions lick your hand
refined by bile as yellow as a lump of gold.

                                    -Robert Lowell, from “For George Santayana”

 

Day 1

At the suggestion of a local farmer, and after some deliberation, we took a back road and then no road at all, climbing over a cratered field of scrub into RAiR’s backyard. One of the residents came out fuming. “Turn around! Turn around!” He gestured toward a driveway that had been all but invisible beforehand. Rattled, Joe and I swung back—inched back, I should say—to the proper entrance. “A grand first impression,” Joe sighed.

We met Ryder Richards in front of his apartment and studio, a dun-colored affair with a slant silver roof that glared. All the other apartments looked much the same, excepting the compound’s meetinghouse whose single spire, in small silver letters, declared RAiR’s motto: The Gift of Time. Ryder showed us into the guest apartment where we would be staying. “There are towels in the bathroom,” he said. “You guys freshen up, then come over to my place for a drink.”

Joe showered first. We had been shed-camping in Madrid the past three days and were sooty for all the fires we had huddled over; too, the coal that blotched the surrounding hills—which we one day hiked—and hung in the air as dust, residual from the town’s old mines. Everything in Madrid seemed dirty, black. At RAiR it was the opposite: the walls were starkly white, the furniture austere. Even the sky was spotless.