Talley Dunn Galley recently held its first exhibition of new work by Dallas-based artist Ted Kincaid. Called The Terrible Truth/ The Beautiful Lie, the exhibition showcased five bodies of work in which Kincaid explores the veracity of the photographic image. I had the opportunity to interview the artist over email last week. My questions (in italics) and his answers follow.
Q: You received your MFA from the University of Kentucky and your BFA from Texas Tech University. Would you mind briefly discussing your experience at each school? With whom did you study, and how did they influence your subsequent pursuits?
A: I was fortunate to study with Rick Dingus, Lynwood Kreneck, Ken Dixon and James Hannah during my time at Tech. Since I was a photography major and printmaking minor, all four of these mentors influenced my direction, drive, work ethic and aesthetic development in different yet complementary ways.
Q: I’m interested in your creative process. Would you please divulge how you go about drawing a photograph? Are there source images? And if so, how do you choose them?
A: When I initially began this current body of work, I had just finished the CLOUD series, where I tried to take an actual photographic image as far from its original appearance without adding or taking anything away from it, essentially concocting an incredibly unreal image purely out of factual materials from a photographic image. My work has always concerned questioning the veracity of the photographic image, and that trajectory has eventually led me to pushing a photographic image to its most un-photographic edges.